Onion Skin Experiments
For weeks I had been reading about eco-printing while quietly collecting onion skins in the kitchen.
Family members began saving them for me. A bowl slowly filled on the counter as I gathered leaves from the garden and assembled supplies. I imagined delicate botanical prints emerging from fabric.
When I finally began experimenting, the results were not what I expected.
The leaves themselves were underwhelming. Some barely left a mark at all. Others disappeared almost completely.
But something else happened.
The onion skins released the most beautiful color.
Soft golds. Warm ochres. Earthy tones that felt alive in a way commercial dyes rarely do.
I found myself paying less attention to the leaves and more attention to the fabric surrounding them.
The background interested me more than the print.
That realization surprised me.
I had assumed eco-printing was the destination. Instead, it became a doorway into something else.
Natural dye.
The color itself seemed to carry the season it came from. Onion skins collected from everyday meals transformed simple cloth into something rich and complex.
The process felt less like controlling a result and more like participating in a conversation.
Each bundle was different.
The fabric responded differently.
The water mattered.
The materials mattered.
Nature participated.
What began as an exploration of eco-printing quietly shifted into an exploration of color, natural materials, and the unexpected ways they reveal themselves.
Sometimes experiments do not lead where we intended.
Sometimes they lead somewhere better.
~ Karen
This experiment eventually led to a larger realization
about the role nature plays in the creative process.
Nature Participates.


